On margins and meaning
When type is given room to breathe, the screen stops feeling like a dashboard and starts feeling like a page. Editorial design borrows from print: a strong masthead, a single thesis, and a measured column that invites lingering.
Hierarchy is musical. Large display type announces. Body copy carries the melody. Small captions keep time. Color arrives sparingly — a signal, never a flood.
“Design for reading is design for time spent, not clicks collected.”